Hello to all.

The Launchpad pro Mk3 is able to drive Ableton Live in session mode.

If I connect the LPMK3 to one of the USB ports of the MRCC and the MRCC to my PC , I Can see the MRCC in
the liste of devices in Ableton Live but I cannot use the session mode of the LPMK3

Is there something I am missing or is it impossible to make this working??

Thanks 

Alain

there are a few basic features that are really missing in my opinion:
- quantize on complete pattern or (n) full beats instead of 1/4 or 1/8. I'm often busy doing other things so I need to be able to arm the change with a bit less accuracy.
- adjust the length of notes. With the current legato system I only use the AD part of all ADSR envelops of mono instruments.
- have the possibility to link 2 different notes instead of just extending the current note. This would allow for nice glissando on most machines.
- ah and how about a little shuffle?

I think most sequencers have the features I just mentioned; the NDLR is very interesting but would really benefit from these little things.

hi! first time poster... i ran into an issue today that i didn't see documentation or a forum post addressing, but please forgive me if i missed something. i have a digitakt, MRCC, NDLR, and sh-4d, with digitakt sending the clock and start/stop. when i boot everything up, things work as expected, i.e., NDLR is seeing the clock signal and if i arm any of the parts, the NDLR sends the appropriate note messages. however, when i hit stop on the digitakt, NDRL seems to stop receiving clock. looking at MRCC, the clock is still being sent to NDLR, but the indicator stops blinking on the main screen in NDLR and the clock on the menu page does not indicate that clock is being received either. i just upgraded both firmwares to be sure i wasn't missing some fix. any suggestions would be much appreciated!

The other day I bought the CMC U6 Midi Pro, imagine my surprise when this $40 device came with a simple computer editor to configure the device, set and forget
U6MIDI Pro https://www.cme-pro.com/u6-midi-pro-usb-...ng-filter/

I refuse to believe the same can not be done for a device that costs over 10 X that amount.

I don't really need to hear from people who are happy they don't have this option, you clearly don't use the device to it's full potential.
Anyone who makes use of the 6 inputs and 12 outputs, will know the cable management alone, makes editing on that small screen insufficient... yet alone actually putting the unit in a rack.

This thread is really to start a convo on how to make this a reality - whether directly or through a config file

Several synths allow to tie 2 notes and produce a glissando effect.
It can be done manually by overlapping 2 notes slightly when playing.
Is this feature available with the NDLR? I read the doc and couldn’t figure out what was the actual rythm note on duration. It seems to be fixed and wouldn’t overlap next step. Am I right?

Just bought, getting ready to return.  Manual says chaining Channel Map modifiers is "confusing" without much further explanation.  Starting to think it's more than "confusing" and just plain broken (does the dev know how to scope a variable.)

What I'm trying to do: I'm trying to route MPE from a Linnstrument to two separate Haken Audio Eaganmatrix Modules (every single DAW and even free MIDI patchbay software can do this easily.)  MPE requires a MIDI channel PER note, I'm trying to get 16 note polyphony (8 voices per module.)

How it should be setup: I have one MIDI out from the Linnstrument so 16 channels max.  Each module can handle around 8 not polyphony so I'm good.  Linnstrument keys are split, half the pads are playing round robin on channels 1-8, the other half are doing the same on channels 9-16.  The modules reserve MIDI channel 1 for various control messages.

The routing I can achieve on almost everything except the MRCC: Linnstrument Left Split goes to first module exclusively (all Ins Port 1 (Linnstrument), all Outs Port 1 (EaganMatrix#1)): Ch 1 In -> Ch 2 Out, Ch 2 In -> Ch 3 Out, Ch 3 In -> Ch 4 Out, Ch 4 In -> Ch 5 Out, Ch 5 In -> Ch 6 Out, Ch 6 In -> Ch 7 Out, Ch 7 In -> Ch 8 Out, Ch 8 In -> Ch 9 Out ------- Linnstrument Right Split goes to second module exclusively (all Ins Port 1 (Linnstrument), all Outs Port 2 (EaganMatrix#2)): Ch 9 In -> Ch 2 Out, Ch 10 In -> Ch 3 Out, Ch 11 In -> Ch 4 Out, Ch 12 In -> Ch 5 Out, Ch 13 In -> Ch 6 Out, Ch 14 In -> Ch 7 Out, Ch 15 In -> Ch 8 Out, Ch 16 In -> Ch 9 Out

How I've tried to set it up on MRCC:  I've tried setting up 4 Channel Maps (why are they limited to 4 channels each!?) with the mappings exactly as listed above.  They are added in sequence in the Routings tab, 2 Channel Maps per output port (i.e. 1->1, CM1, CM2, 1->2, CM3, CM4)

The results: If I set all Channel maps to exclusive (which is required otherwise all notes go to both modules simultaneously) I get one note that makes it through to the first module (MIDI CH 4) not a single other note makes it to either module (seriously!?)  If I set Channel Maps 1, 3, and 4 to exclusive and Channel Map 2 to non-exclusive MIDI Ch 1-4 make it to the first module and nothing else.  If I set CM1 to Y, CM2 to N, CM3 to N, and CM4 to Y I get 4 MIDI channels passing to each module (MIDI Ch 1-4 to module 1, MIDI Ch 13-16 to module 2.)  If I set either CM1 or CM4 to N I get notes going from both splits to both modules.

I know there is some logic here I'm just not getting but man, it is so counterintuitive when it should be very straightforward.  How is it possible that with a $450 piece of hardware designed specifically to route dozens of MIDI cables to each other I'm not able to simply route 16 channels from one cable to two others!?  I'm sorry if I sound witchy and upset, I just had such high hopes for this thing and to be let down from what appears to be an unscoped variable programmatically is disheartening to say the least.  To argue that there is some other magical advantage to this level of convolution on such a simple routing is deceptive.  It's a long post, prob won't get a reply.  Will have to return within the next week or so.  I really wish it had worked out.

Hi,
is there a way to change the blue color to e.g. green because blue on black is hard to see clearly from a distance.  
Thanks

owned the original and bought a new ndlr v2 and got here last week. but the  kb trans function is acting really weird . 

i've tried all ports and different controllers to different synths all with the same result .   

when i press the same key (any key) repeatedly it starts to climb in scale and then back down as if there is a midi feedback loop . 

 i'm using all stand alone linear hardware,  5 pin midi controller to midi b in to ndlr out midi b and to the synth . powered ndlr by separate usb wall wart .there is no possible way any feedback loop is occurring. 

like i said tried all ports and different controllers 

i hooked it up to ctrlr.org's midi monitor to see what was happening and the note off number is not matching the note on number and each time the same key is pressed different note on and off values occur

i tried re flashing the firmware but didn't help.  all other functions working perfectly fine .  monitoring midi messages on the other motifs and the note on # is matching the note off #  
 
perplexed ...

Hi Guys,

I feel like I might be missing something real simple? ...But I'd like to know the best approach to allow the following:

MIDI channels 1-15 trigger individual devices, provided they are routed
MIDI channel 16 will trigger all routed devices

eg: 
playing via MIDI port 1 will trigger Hydrasynth
playing via MIDI port 2 will trigger TB-3
playing via MIDI port 16 will trigger both the Hydra and the TB-3

I know I can do this using Channel Map Mod:

Channel Map #1 (Hydra)
Input 1: Output 1
Input 16: Output 1

Channel Map #2 (TB3)
Input 2: Output 2
Input 16: Output 2

However, this will only support up to six output devices, as there are only six Channel Maps available.

What if I have more than six output devices?
Is there a way to just tell the MRCC that MIDI channel 16 sends to all?

Appreciate your feedback ?

cheers
Shane

So I think my issue is coming down to me not understanding midi as well as I should yet -I just know enough to be dangerous- but I wanted to verify here my problem:

What I was hoping to do
I have 16 pads for drums on my Launchpad pro which I would like to use to trigger the 16 pads for drums on my mc 707. (yes i have too much gear for my own good, let's dismiss that).
This almost works fine, but the numbers (cc numbers? midi note numbers?) don't all align perfectly. So it leaves four pads on my launchpad that are unresponsive.
I thought "oh good thing I have an mrcc, I can just map those pads to their corresponding ones on the mc707!). This did not work.

even though I see the corresponding numbers show up in the mrcc midi monitor, I think I am now understanding that these are 'midi note' numbers and not exactly 'cc messages/numbers'. 
and therefore the cc modifier will not map these midi notes. 
Is that true? Am I now understanding that correctly?

to be clear - I have successfully mapped a mod pedal elsewhere to the filter cutoff on my volca keys, which is very cool, very happy for the mrcc for that, so I know mapping cc values can be done in that regard.

Is there another workaround I could use with the mrcc to change those midi notes/numbers? It seems 'note mapping' is not quite that from what I can tell, at least not for my needs anyway.

thanks in advance! I hope this is enough info to at least see the problem, but I can specify more if needed.