Yes, but it close some creativity. I had to hack my way up through Ableton Max4Live devices such as Octave Remapper, Transposer RT Offset and a bunch of iPad midi apps such as StepPolyArp. It took me one week of everyday studies and experimenting to get there. If I would have only hardware synth and would not want to create next JMJ or Vangelis, I think I would quickly get rid of it.
This device should be more universal. When noodling it should be possible to set octave for each chord degree in order to overcome this. I got note sheets from some famous and typical genre arrangements and if I want to make similar feel with NDLR it just sound boring, there is definitely a lack of emotions because of this.
Also it does not translate among sound systems. A2 root note is too low for bass to be heard. You need A3 and the difference between G3/F3 and A2 is too big. Also the mood is going up A2 -> G3 -> F3. You cannot make the down going mood of A3 -> G3 -> F3.
So the theory might be correct, but in practice nobody compose like this and it does not have real world use case without transposing individual chords.
This device should be more universal. When noodling it should be possible to set octave for each chord degree in order to overcome this. I got note sheets from some famous and typical genre arrangements and if I want to make similar feel with NDLR it just sound boring, there is definitely a lack of emotions because of this.
Also it does not translate among sound systems. A2 root note is too low for bass to be heard. You need A3 and the difference between G3/F3 and A2 is too big. Also the mood is going up A2 -> G3 -> F3. You cannot make the down going mood of A3 -> G3 -> F3.
So the theory might be correct, but in practice nobody compose like this and it does not have real world use case without transposing individual chords.